A little “back-story” on how BLACKENED came to be as follows:
BLACKENED began as a collaborative effort between Metallica & Master Distiller & Blender Dave Pickerell.
Sadly, Dave passed away in late 2018, shortly after the launch of BLACKENED.
In 2019, Master Distiller Rob Dietrich joined the team as Master Distiller & Blender taking the helm as Master Distiller & Blender in Dave’s passing and guardian of Dave’s legacy blend.
As unapologetic masters of the craft in their respective fields, they’ve built world-renowned legacies by carving out new spaces and bringing their singular, incendiary perspectives to everything they touch. Unlikely collaborators on the surface, their shared creative fire and dedication to craft make them anything but.
Together, they’ve created BLACKENED – an unconventional whiskey of uncompromising quality.
Rob serves as the guardian of Dave’s original recipe and brand steward moving into the future. He’s widely known for his ability to fuse traditional distilling methods with unique artistry.
Rob is well-regarded for his unique limited-release, cask finish expressions such as Snowflake, Sherry Cask, and more.
Rob is responsible for every aspect of production and is committed to maintaining the original recipe, artisanal methods, and handcrafted approach to creating world-class whiskey.
Rob Dietrich initially learned the art and science of distilling from legendary Jess Graber, whom he proudly calls his mentor. His passion for music was honed across 10 years spent in the music business with Bill Graham Presents as a freelance agent for various venues like Colorado’s Red Rocks Amphitheatre and The Fillmore in San Francisco and managing tours and festivals.
He is a veteran of the U.S. Army’s 10th Mountain Division and served from 1992 to 1995.
His two tours in Somalia and relief operations in Haiti helped shape his life-affirming philosophy.
Join Kirt Jacobs as he talks with the crowd at Railbird!
The blues is music for all time—past, present, and future—and few artists simultaneously exemplify those multiple temporal moments of the genre like North Mississippi’s Cedric Burnside.
The Mississippi Hill Country blues guitarist and singer/songwriter contain the legacy and future of the region’s prescient sound stories. At once, African and American and southern and Mississippian, these stories tell about love, hurt, connection, and redemption in the South. His newest contribution to this tradition is I Be Trying, a 13-track album treatise on life’s challenges, pleasures, and beauty. “Life can go any kind of way,” Burnside says. He would know with almost 30 years of performing and living blues in him.
Burnside’s blues inheritance, the North Mississippi Hill Country blues, is distinct from its Delta or Texas counterparts in its commitment to polyrhythmic percussion and its refusal of familiar blues chord progressions. Often, and especially in Burnside’s care, it leads with extended riffs that become sentences or pleas or exclamations, rendering the guitar the talking drum like its West African antecedent. Riffs disappear behind and become one with the singer’s voice, like the convergence of hill and horizon in the distance. Sometimes they become the only voice, saying what the singer cannot conjure the words for. Across some nine individual and collaborative album projects, Burnside’s voice eases seamlessly into, through, and behind the riffs spirit gifts him, carrying listeners to a deep Mississippi well. There is a mirror there in the water of that well, in Burnside’s music, that shows us who and what we have been, who we are, and what we might be if we look and heed.
The 42-year-old Burnside was born in the blues as much as he was in funk, rock, soul, and hip-hop. These latter sensibilities are reflected across his work as he drives Hill Country blues into grooves that lend themselves readily to an urgent, modern moment. But he is also keenly his grandfather’s grandson, who he studied so carefully over a decade playing with him that he came to know him better than his self. The elder Burnside bluesman, the hill country blues luminary RL Burnside, and his wife Alice Mae wrapped their Holly Springs land and family in warmth, joy, and music. RL Burnside, alongside collaborators and contemporaries from David “Junior” Kimbrough to Jessie Mae Hemphill and Otha Turner, cultivated the sound and feel of Black North Mississippi life and offered it up to the world. Cedric observed and absorbed this art world intently and with wonder as a child, declaring to himself, this is the music I want to play, and I want to do that for the rest of my life. Moreover, this was the offering he, too, wanted to make and the life of service to the spirit through blues that he wanted to live. By age 13, he was on the road with his “Big Daddy” Burnside, playing drums, being raised by the music and the road, and developing the next, electric generation of the Hill Country calling and sound.
Burnside’s two Grammy-nominated album projects— the 2015 Descendants of Hill Country and 2018’s Benton County Relic—were capstone statements for a lifetime of musical labor channeling the blues spirit on drums, guitar, and vocals in the North Mississippi Hill Country tradition. I Be Trying, Burnside’s second release with Alabama’s Single Lock Records, is another unfolding of his influence and voice as an architect of the second generation of Hill Country blues. This album pushes just beyond his long-time roles as Hill Country blues collaborator, torchbearer, and innovator into the artist’s inner life rooms. Written in reflection on and off the road in 2018, the album responds to the confusion and anger he felt in the years after a series of deaths in the family and a host of other interpersonal hurts, some he dished out and some he took. The album opens with an acoustic lament, “The World Can Be So Cold,” that encapsulates the tenderness of this pain and then quickly rallies and pleads with the Lord for help on the rousing second track and the album’s first single, “Step In.” The title track, on which Burnside is accompanied on background vocals by his youngest daughter Portrika, is a plea for grace and forgiveness from a man “still learning and trying to be the best me.” Burnside’s signature approach and contribution to the Hill Country genre—electricity, intention, and timeless timbre—is seamlessly complemented by star collaborators Alabama Shakes bassist Zac Cockrell, and North Mississippi All-Stars guitarist Luther Dickinson, and principal collaborator Reed Watson on drums.
With lessons to impart, Burnside strips down the sound with precision so there can be no misunderstanding, allowing for space and breath where otherwise chords and reverb might be present. This portion of the offering is a guidebook for life’s dark times, set to mostly minor riffs and pulsing bass and percussion rhythms that immediately set in the soul like the gospel. If you wake up on the wrong side of the bed, “Ask the Lord for revelation/so [you] can see clearer” and “keep on pushing as hard as [you] can,” he advises to a march on “Keep On Pushing”; “Be careful who you talk to/ain’t no telling what they might do” he warns on “Gotta Look Out” over a menacing bass eighth-note couplet on the one and three. Recorded over a few sessions at Royal Studios in Memphis with lifelong friend and fellow North Mississippi descendant Lawrence “Boo” Mitchell, I Be Trying is Burnside boiled down by a wave of fiery blue anger from descendant to relic to human.
What is left, and this is everything, is a resonant kind of love. Buoyed by his readings of Lao Tzu and rumination on his own life choices and hurts, Burnside says he is “trying his best to implement love” in his life and relationships with others. “There’s not enough love shown in the world. People have a lot of regrets. The world needs more love.” In the places where love glistens on the album’s surface, like in the harmonies on the anthem groove “Love Is the Key” or in the smooth, purposeful falsetto sliding over the strings on the final track, “Love You Forever,” Burnside’s desire for us all to “really just try to come closer” is palpable.
But this is the blues, so love is necessarily double-edged. On two covers, one of RL Burnside’s “Bird Without a Feather” and another of Junior Kimbrough’s “Keep Your Hands Off Her,” which Burnside titles by its signature opening threat, “Hands Off That Girl,” there is hurt and fear, quiet menace, and outright danger. “Dark,” he admits, “but what people go through.” Flashing this side of love’s sword, Burnside reminds us of the complex, raw, blues people legacy that undergirds his art. Still, he says on the soaring “Love Is Key,” which is his thesis as of late, “a life filled with love is the key/yes it is.”
Blues is an embodied practice that frequently crosses the boundaries of reality and fiction, and as such, Burnside appears as himself in Bill Bennett’s Tempted (2001), a New Orleans-set thriller; Arliss Howard’s Mississippi-based romantic comedy Big Bad Love; and Craig Brewer’s Tennessee-based drama Black Snake Moan (2006). However, he also can become something other than himself. In 2021, Burnside played the title character in Don Simonton and Travis Mills’ story of Texas Red, a Franklin County, Mississippi juke joint owner who was hunted by a mob for a month after defending himself from an attack and eventually caught and killed. Burnside brings a bluesman’s haunted gravitas to the role, balanced about life and death and freedom even in the most unspeakable moments. Like his music, this role is ancestral blues work that honors the dead and their legacies to teach and heal new generations.
Burnside recalls chopping wood and hauling water as a child, and these days he is in his garden growing food and contemplating getting some chickens. This penchant for cultivation and innovation that has always characterized his music spills over to the land, especially in this moment of shift wrought by pandemic life. On a hunting trip to Montana, Burnside connected to nature and his interior life in a new way. This feeling, one of opening, was a revelation to him. It underscores his love strivings and, along with his studies of the Dao, even changes how he structures and writes songs. It is a process of “realizing what was already there,” he says, of remembering. Love is vital, and love is work.
Burnside’s turn inward has him considering his place in the family legacy of professional blues musicians. He is a proud father of three daughters, ages 22, 18, and 15, all of whom can play drums and guitar, and is looking forward to more collaborations like the one with the youngest Burnside daughter on “I Be Trying.” Striving for transparency with his children about his own life, he lets them know not to be too hard on themselves. He says Big Daddy always cared for his family, including his 13 children and several grandchildren and great-grandchildren. Despite his touring schedule, Burnside is deeply grateful for his capacity to support and be present for his children. He says, “I have been there, and I will be there.” That’s for sure about the past, present, and future of the North Mississippi Hill Country blues, too.
Growing up in Baltimore, Maryland, Liz Cooper never dreamed she would be the Folk-Blues Singer-Songwriter she is today, with her distinctive voice — and androgynous, salty, caramel drawl — captivates one’s soul it has been said.
Still, the interplay with bandmates Grant Prettyman on bass and Ryan Usher on drums fascinates.
In fact, from a young age, everyone believed she was going to be a professional golfer.
Golf was just a hobby for her, though; music had always been a passion.
She only pondered and dreamed of it, but it wasn’t until her senior year of high school that she decided she wanted to pursue music as a career.
So, leaving behind her friends, family, and college golf scholarship, Liz Cooper packed her things and moved to Nashville, TN.
Known for her unique guitar picking and haunting tone, she is steadily making a name for herself in the music industry.
Liz is a self-proclaimed “the happiest girl,” Liz ironically describes her lyrics as dark and soulful.
Growing up on classic rock artists like The Grateful Dead and The Band play into Liz Cooper’s music.
A native of rural western Kentucky’s rolling hills and coal mining communities, Grayson Jenkins is a singer-songwriter who now calls Lexington, KY, his home. After attending the University of Kentucky and working there for four years, Grayson walked away from his salaried job in 2017 to chase his dream as a full-time musician.
With his recent ‘Cowboy Dream’ EP, Grayson is poised to reach even more ears and hearts in the coming year. This release will be the first in a wave of new music recorded with an A-list band. The team included: Miles Miller (Sturgill Simpson), Jesse Wells (Tyler Childers), Nicholas Jamerson, Kenny Miles (Wayne Graham), and many more.
A late-comer to the music world by most standards – Jenkins played his first show and wrote his first song at 21. Now 28, Jenkins has two albums under his belt and feels more focused and energized than ever about his music. His lyrics are inspired by the words of Mark Twain, who always said, “Write what you know.” In keeping with this motto, Grayson’s songs pay homage to the things most important to him—family, friends, and a life without regrets.
John Prine, Kris Kristofferson, Tom Petty, Sturgill Simpson, Jason Isbell, and many others have influenced his unique brand of Kentucky country music. His latest studio album, Cityscapes & Countrysides, was released in April 2017 and has garnered attention from radio and the press in the region.
Grayson maintains a busy performance schedule of 125+ shows a year, both as a solo performer and with his full band.
As he grows as an artist and writer, look to see more great things from Grayson Jenkins.